#hope you like my essay
Explore tagged Tumblr posts
kermitthesog · 10 months ago
Note
Just curious, who do you think my godly parent is?
oh shoot ummmm
I’m gonna like rule out a few?
well here’s the list of gods (I am not doing minor that would take FOREVER)
Hera (obviously not)
Zeus (I don’t think you would be a child of zeus just cause they’re so uhh intense)
Poseidon (again, no, cause they are very leader-ish and are kind of outgoing and i think you might be outgoing [a bit] but idk i feel like this isn’t right)
Athena (they tend to be overly confident and not at all humble so nooo)
Ares (nah i think you know why)
Apollo (tbh i think most people aspire to be his child and i think a lot of people’s qualities can go under apollo’s so i think this could be an option)
Demeter (maybe because they tend to be kind and friendly [i looked this up btw lol])
Hermes (tbh no i don’t think you’re that devious lol)
Hephaestus (apparently they’re bitter and sour??? no thank you)
Artemis
Aphrodite (this feels wrong to rule out bc i looked it up and they’re all like compassionate and loving and all that and so yk)
Dionysus (no reason it’s just- eh)
so uh that still leaves so many options but let me settle my case!!
You might be partly Apollo’s child because: I think any number of anybody’s traits could be his. You do all my music games or whatever so I’d say you like music. You’re pretty funny and I’d guess that you’re caring and kinda sunshine-y (at times at least)
Or Demeter because: Her children are caring and friendly. Their moods change with the seasons (as i think most people’s do so i’m just including it).
OR Aphrodite: not because of the looks (cause obviously idk but im sure you’re attractive) but because they’re always described (other than drew) as caring and helpful. Loving, supportive, thoughtful, etc. and i feel like you could fit in with that!
so um yeah. i didn’t wanna give a bad answer so i kinda did way too much on this. anywayyyy heh hope i was close cause i don’t know you too well so maybe you’re like the complete opposite of what I’m saying!!
4 notes · View notes
egophiliac · 23 days ago
Note
Your first initial impressions of any Twst character vs your current feelings about them?
honestly, my perception of pretty much every character went through some metamorphosis of "this guy looks like a jerk" to "oh, he's a stupid jerk? now hold on." it's all about that balancing act between a dark brooding asshole and a dark brooding asshole who is also totally ridiculous, and it really does make ALL the difference.
perhaps most ironically, I've mentioned before that I was absolutely not into the Diasomnias at first, because the impression the website gave pre-release was somehow even less favorable than for everyone else and I was mad at Lilia for getting my hopes up for a token girl). and then we got their stories and, well, I kind of just haven't stopped thinking about them since. 🤷
also, I went in thinking that Crowley was going to be. y'know. competent at his job. a helpful guide. a mysterious yet caring mentor figure, a fitting leader for this band of delicate young magic waifs with their fancy little magic outfits and their perfect, perfect hair. I've never been so glad to be wrong.
Tumblr media
1K notes · View notes
kbsd · 10 months ago
Text
when a lovely flame dies, smoke gets in your eyes
OR: what were we supposed to take away from episode 4 if not ‘bucky is a war widow’
1K notes · View notes
liauditore · 8 months ago
Text
Equally Invalid
Tumblr media
435 notes · View notes
myokk · 4 months ago
Text
Tumblr media
my first attempt at digital art (never again🥲) for mctober💘
Eloise Babbit✨
slytherin
5th year
favorite subjects: arithmancy & ancient runes
least favorite subject: beasts (animals make her nervous🥲)
hobbies: reading & thinking (IT’S A HOBBY OKAY??)
214 notes · View notes
lucabyte · 6 months ago
Note
i'm so curious about your character gender reads now tho 👀👀
(You enter the kitchen and see me, eating shredded cheese out of the fridge by the handful)
Tumblr media
(I turn around to face you.)
Hi. Do you want me to sell you on amab NB Siffrin? I'm going to try and sell you on amab NB Siffrin. And maybe even a little bit of tranfem siffrin and/or loop. as a treat. just for you.
So, (I put the cheese back in the fridge.)
This read of mine comes from a number of things, a lot of them to do with the game's themes, and to do with Siffrin being a narrative foil to the other characters. And Vaugarde as a whole.
(READMORE WARNING: THIS IS LIKE 6K WORDS LONG. YOU ALL SHOULD KNOW BY NOW I DON'T MAKE POSTS WITHOUT UNCONSCIOUNABLE AMOUNTS OF EVIDENCE AND EXPLANATION. IF ANYTHING I'M BEING RESTRAINED HERE. THUMBS UP.)
(Pre-readmore note: this is in response to me having given an analysis of how I personally percieve Sifloop in relation to asexuality and shipping. Which you can look at here. (x))
It is however, not what my like, no-holds-barred no-rules just-for-me headcanon for Siffrin would be. (which is intersex 'head empty no thoughts' siffrin, for the record). This is instead my close-reading-of-the-text-and-themes interpretation of Siffrin. This is why I'm gonna be saying Read and not Headcanon, to distinguish the two. (Anything I consider a little bit too much of a stretch vis a vis interpretive hard reads I will call a headcanon. But those are for the last bit of this post.)
Unlike *gestures at mass media* All That… ISAT is already packed to the gills with queer rep, to the point where I feel no need to grasp at straws and make overextended reaches into obviously unintended subtext. Like with, y'know, most media. Since here, the subtext isn't unintended. Like this isn't a Transfem Metal Sonic or Aroace Ash Ketchum situation where I know none of the evidence is on purpose and I'm just having fun making a conspiracy theory pinboard out of it. This is like… There's intentionality there. And I want to engage with it on its level, see what the text itself suggests. It's my personal preferred method of expressing deep respect to a text. (Not that it has to be anyone else's, obviously. This is just my way of showing I love a work.)
So yeah, I am, in general, very interested in hearing hard-fought arguments when it comes to interpreting texts. I'm glad ISAT has a lot to pick at here, and so, I will. (and since not a lot of texts ever have anywhere near this kind of depth in this arena, i don't wanna squander it… i'll try and keep my own biases as in check as i can, and already have done by hashing quite a bit of this interpretation out with two people of very different gender identities to mine. To put it mildly, binary-aligned or transfem I am very squarely Not.)
(Now that the cheese bag has been removed from the equation, I drop this framing device, sit you down at the table and begin to dredge up evidence from below it.)
Okay, so. What are my like… Core reasonings here? I think I can split it into three categories. Broadly, with an amount of overlap, so bear with me…
SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.
SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.
SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.
Okay so up top I'm going to split my argument for Siffrin's gender identity Present and Future here. This means, for now, I'm arguing for AMAB NB Siffrin alone. The transfem stuff is for later (and more for loop, in my mind, too).
I have a few direct observations of the text here that set things up. Here are the things in-game that make me assume that Siffrin, as of the start of the game, has not yet undergone any radical change to their identity in their life. Not on purpose, at least. These are ordered in a messy but logical flow, so uh, try and keep up. I'll synthesise at the end. I Prommy.
SIFFRIN AS A FOIL AND CONTRAST TO MIRABELLE, ISABEAU AND THE CHANGE RELIGION AS A WHOLE.
CHANGE & THE UNIVERSE: PERCEIVED OPPOSITES
When interacting with most objects in the Changing Room in the house, they express a genuine curiosity toward body craft. It seems they are legitimately unfamiliar with it on a deeper level than having simply heard of it.
Despite this curiosity (explicitly stating they've previously wondered about it), they dismiss it as too much work early on in the game. These points combined seem to suggest to me that they have never previously sought out any kind of real change to their appearance or identity. Either for gender reasons, or other body dysmorphia reasons. (Which, despite the dismissal, they do refer to their body as a 'meat prison', which is not particularly positive) However...
This changes in Act 3. In acts 3 and 4 they flatly state: "You're thinking about crafting your body. You seem to have all the time in the world now." While still never spoken aloud, their declining mental state corrosponds with a worn-down, almost nihilistic reckoning with the feelings they masked with the 'meat prison' joke in act 2.
Tumblr media
[Image: Interactions with the change craft textbook in acts 2 and 3/4.]
In talking to Mirabelle, they are very self assured that one can stay the same/be comfortable with their born identity. They also seem a little unsettled by the change religion's flippancy in general, which makes sense, as they have been clinging to the famliar (even when painful) to cope with other traumas. (More on this later, section 2)
The Universe Faith appears to heavily disincentivise Wanting for oneself and other expressions of Free Will due to safeguarding against Wish craft. This seems to have impacted Siffrin's mental state majorly, even if they do not recognise it. The followers of the faith are (if Siffrin is to be believed) incentivised to 'go with the flow' and take paths of least resistance, and those that DO make big decisions will tend to justify things as being The Universe's Will. (See: The King's entire Modus Operandi, and the way Loop (and Siffrin) do the same rote actions, constructing worldviews (the play analogy, the Universe's Will) and justify that as what the Universe Would Want (despite a total lack of evidence to prove as such)) As such, it seems as if a follower of this faith as neurotic as Siffrin would be unlikely to act upon any Wants to Change Themselves without a lot of turmoil and backwards-justification. (Of note, Loop's forcible change coinciding with a dropping of pronoun. But that is again for later, section 3) As of the start of the game, they do not appear to have broached this kind of turmoil directly.
Tumblr media
[Image: Act 5 interaction with the star journal, emphasis on it being a cautionary tale against reckless usage of wish craft, instilled so deeply to be a children's bedtime story]
Siffrin, in act 5, grows frustrated with both The Universe and The Change God, feeling abandoned by the former. They struggle with simultaneously anthropomorphising the Universe as a cruel onlooker, while also seemingly acknowledging them as a cold, almost scientific fact of nature. This would heavily imply that the 'blame' put upon the Universe by Siffrin in these moments is known to them, at least a little, to be potentially meaningless. It seems that somewhere in Siffrin's belief system is something, be it the core or merely a creeping worry, that the Universe is not a thinking, feeling, thing. And thus that their invocations of "The Universe's Will" are merely rationalisations of random chance and consequence. This is in DIRECT contrast to the Change God, proven to be an emotive sapient entity, who merely refuses to offer a helping hand. (Similar sentiments are, too, spoken by the Change God itself.)
Tumblr media Tumblr media
[Images: Interacting with the window in the observatory in act 5, text from the change god meeting]
So. These are the bulk of my observations when it comes to how Siffrin is positioned in contrast to the Change Belief. It would seem to be that Siffrin, inkeeping with their role as an outsider, is a complete fish out of water in Vaugarde's change-centric world. This makes sense! It makes them a compelling foil to the Vaugardians in our cast, and allows the Vaugardians to challenge Siffrin's worldviews merely by existing. It also, more importantly, makes Siffrin an interesting lens through which to inspect our two most Change-driven characters. Mirabelle and Isabeau.
MIRABELLE.
Mirabelle and Siffrin's differing faiths are put on display the most frequently. Interactions like the circle key and the party's disbelief of Siffrin's facts about the stars make this clear. These interactions other Siffrin from the group further, and are another avenue through which Siffrin can ignore their own needs, not communicating with the party and allowing them to dismiss things he deems important.
Obviously, the friendquest is primarily about Mirabelle's struggle with her aromanticism and asexuality. But there's an implicit undercurrent of gender there too. Mirabelle has never made a big change, not like Isabeau. She has never 'changed completely', by her words. And Siffrin distinctly finds this an odd thing to be worried by. Whatever culture he carries has no pressure to explore these avenues, it seems. Siffrin is able to help her by sharing their honest opinions, that he's never felt the need to change these things, and he's happy (allegedly). Why should she?
Tumblr media
[Image: Mirabelle's friendquest text] Siffrin is not thinking particularly hard when he first does the friendquests, they are just being themselves. By positioning Siffrin as this unchanged yet confident object, they are in the perfect position to help Mirabelle by being in her almost exact position, both sexuality and transgender status (albeit, with the caveats of potential alloromanticism, and a they pronoun), that they become her ideal foil. (And in fact, the subtle differences between their positions in canon add to this, showing a display of Perceived Genuine Truth, rather than simple in-group camaraderie)
Whereas…
ISABEAU.
When Mal du pays speaks as Isabeau, it says the following;
Tumblr media
"I don't want to know someone who won't even try to change, who luxuriates in things staying the exact same like you do."
I don't want to know someone - Shame of being known, that's Isabeau's insecurity. Reflected back at Siffrin, who has become the worst thing imaginable to each of their friends, in Siffrin's own mind. He absorbs their insecurities like a sponge and incorporates them into himself. Empathy turned ill.
Who luxuriates in things staying the exact same - Now THAT'S interesting. This is not Isabeau's insecurity, it's Siffrin's own. But also, it appears as if, Siffrin, whom to Mirabelle was unflappable in that not changing was alright, has internalised some of her worry. That it is MDP's Isabeau saying this, though, shows this is about Personal Change, perhaps even Specifically Gender and Self Image, rather than Mirabelle's spiritual side.
Isabeau and his distinct change in personality and gender, to become someone who he actually likes… Diametric to Siffrin, who has been stagnant for a long time, presumably as far as they can remember. It would seem to imply they have no recourse against this argument. Siffin becomes, in his mind, the opposite to Isabeau, a man he deeply admires the bravery of when told the story of his Change. These are Siffrin's words against themselves, that they consider themselves to have never even 'tried' whatever it is they think Change to be.
So. These are my main points vis a vis: Siffrin as a foil. This reading would posit that Siffrin's He/They status is, well, almost accidental? Which I would imagine befitting of them. They are, at the start of the game, still the mysterious rogue who never elaborates upon anything. They aren't going to be correcting a they/them from a teammate who is likely far more cautious about assumptions.
Notably, Mirabelle excludes Siffrin from the label "man" in the bathroom monologues… But as does Siffrin when in the prologue poem room. Though one needs remember, Siffrin only expresses these thoughts internally.
Tumblr media
[Image: Bathroom conversation featuring Isabeau identified as the party's singular man]
Tumblr media
[Image: Prologue!Siffrin expressing that they are not a man in very certain terms.]
While I do wonder what Mirabelle's knowledge (or lack thereof, potentially! Did Siffrin actually divulge this to her, once? Or is she making assumptions again?) is here, this is pretty clear evidence that Siffrin doesn't see themselves As A Man. (that, and Adrienne's word of god "fella" comments). I'm sure you can see where I'm going with this… but.
The thesis here is, that Siffrin may want to explore their gender further; doesn't feel connected to Masculinity, and yet, keeps that He pronoun around? Well, the Universe does not, in Siffrin's mind, really allow for personal wants and desires. If their friends start they/themming them, then cool. They like it, but never requested it, so it's the Universe's will. But, asking? Making decisions and requests and rocking the boat? That seems to scare Siffrin a lot. It seems to scare them so much it causes a lot of, if not all of, the conflict in the game. I feel like it's a fair deduction that this aversion to humour their own desires pervades a lot of their existence.
Plus, I think there's meat there. By only allowing Siffrin to reckon with any potential desires to change only after growing closer with the family, you get to explore things like "How does Mirabelle feel that even the person who said she didn't have to change is changing." and the slightly less potentially harrowing (OR MORE, IF YOU WANT IT TO BE? IDK. I'M NOT YOUR BOSS.) "Isa's continued changing allows Siffrin a space to explore it, maybe even just by proxy, or maybe by joining them."
But mostly, this section is about how Siffrin not having Changed Yet makes them delightfully strong narratively; allowing them to relate to Mirabelle, and get cold feet when comparing themselves to Isabeau. I love this as a narrative strengthener. It's very rare in media that we get to explore a nonbinary character's thoughts and insecurities on whether or not they're "doing enough" to be nonbinary. Even less so Aligned nonbinary people. And reading that alignment and insecurity through the lens of a nonbinary person not fully disconnected from their assigned gender at birth? It's a very compelling exploration of a very common and raw and yet underdiscussed feeling, much like the rest of ISAT. I think this is an extremely potent element should it be read this way, and is only strengthened when taking Siffrin's other themes into account.
Speaking of which.
2. SIFFRIN'S HABITS OF CLINGING TO 'KNOWN QUANTITIES', SCAPEGOATS, AND THEMES OF RACIAL IDENTITY INTERSECTING WITH GENDER IDENTITY.
HOLDING ON TO WHAT YOU KNOW. (OR KNOW THAT YOU DO NOT.)
I explained above many of my thoughts on the Universe Faith, and trying to keep these two sections separate was difficult, but needed to be done for the sake of clarity. But this section and the above are deeply intertwined.
Siffrin… Holds on to the things they know. They do not know much. But man do they fucking hold. And yet, paradoxically, they are also avoidant about it.
It is made clear in the text, to the point where I really don't feel the need to rehash it here, that Siffrin's disconnection from their homeland is incredibly painful, but that they consider that culture utterly and irreplaceably important to them. They cannot face it, it is too painful. They cannot let it go, it is too important.
Knowing what we know of the Island's irl inspirations (though, word of god, the exact location is not supposed to matter, one can infer it from the text (and I did! within reasonable proximity!)), Siffrin is of an indigenous peoples of some description, more than likely. And at the very least, Siffrin carries with them inherent biases and ignorances that show that Vaugarde's conceptions of things don't quite mesh with their own. Bowing to the Vaugardian way of things could very easily be seen as assimilation, in this way.*
And identity? Gender? Presentation? Role? All of that has a cultural element. There's no telling what specifics Siffrin has lost in that arena, and that's the problem. Neither do they. How paralysing, the feeling, to know that should you change yourself you risk unknowingly erasing another piece of home? I wouldn't blame them for locking it off. Keeping their old clothes, keeping what little they can remember of themselves… It doesn't seem to me a conducive or safe mental space to get experimental.
And the Universe makes for a perfect scapegoat. As referenced in the section above, a lot can be justified should you call it "The Universe's Will", because who's there to call you on it? Hardly anyone. Your divine right to Freeze A Place In Time; Your Deserved Punishment for Wanting to be Loved: All of it the Universe-- If you want it to be. And thusly, if the Universe wanted you to be a certain way, wouldn't you already be? Wouldn't it make you so? (Wouldn't it take away your body, that which makes you human? If that is what it thought of you?) So best to put it out of your mind. Wouldn't want to accidentally wish anything.
But as the game itself puts it, personified by The King, you cannot stay mired like this forever. As Loop themselves puts it, they can "get so fixated, sometimes." At some point they need to allow themselves to grow in whatever direction they need, because in the end, they need to live their life. They don't need to abandon their country, their culture, but they can't let it restrain them either.
(* MASSIVE CAVEAT: im white as fuck boyyy. i cant say shit. im like technically Of The Land im like 90% pictish or something ridiculous like that so my particular line has never moved anywhere but. this is notttt something i have input or insight on. this is all gleaned from reading and listening to indiginous perspectives from wherever they may be. i am simply trying to infer from what the game gives us without inserting my own feelings on the matter.)
3. SIFFRIN, LOOP, DE-PERSONING, DEHUMANISING, APATHY AND SURVIVAL.
Alright, here's some less heady and purely-thematic points to round things out. And where we'll also address the fucked up star being in the room; Loop.
My last couple of reading points are the most potentially-transfem to me. Or at least the ones that really hammer home, to me, a seeming lack of want to be masculine-aligned.
ANOTHER NOTE ON THE 'NOT A GUY' THING.
Obviously, there is the aforementioned "Not a man/not that you're a boy" thing. This is rather straightforward, but also still pretty ambiguous. You can be masc-aligned and still Not A Guy. But it does seem to be of note that being a guy very much does not seem to be a goal of Siffrin's. I would posit this in direct contrast to… Isabeau.
But not Isabeau's masculinity. I would instead hold it up against Isa's femininity.
ISAT, as a text, has its characters have genuinely different levels of security in their gender identity, and Isabeau, despite still having insecurities, seems super chill on the gender angle specifically! Their internal strife comes not from their 'not feeling like a man enough' or 'hating being a woman', but instead from their self perception as a friendless nerd! Something that seems to be only tangentially related to Isa's gender, really?
The big dumb bruiser thing is certainly aided by being a dude, but Isa still seems completely comfortable referring to themselves with feminine language, calling himself a "mother hen" (prologue) and having "the heart of a fair maiden" (cookie snack time). (However, they also take being excluded from Mira's girly book club as a surprised compliment, implying they weren't expected to be excluded, and find it affirming.) And even further so, Isa states they want to continue changing further and exploring their identity more, being rather blatant that they might lean back into femininity (and more importantly, let themselves be outwardly smart again), since they're starting to feel hurt by everyone assuming they ARE genuinely stupid.
Tumblr media
[Image: Prologue Isa calling himself a mother hen]
And man, this is such a breath of fresh air vis a vis representation. I don't think I really need to explain that. A character who's gender identity is driven by chasing euphoria, even if it started out by trying to drive out misery. Isabeau's character is so damn good. But this essay isn't about him, so get back in the crate, boy.
... So here we have Isa, who is genuinely comfortable reclaiming things about their birth gender, and Mirabelle who loves her traditionally feminine traits to the point where she feels a little guilty that she isn't rejecting them to foster change. And then we have Siffrin… who seems to reject masculine language…? Hrm… (… And then we have The King. A Masculine Title. Someone who Siffrin increasingly sees themselves in and deeply, deeply dislikes this.)
APATHY AND SURVIVAL
It should be clear by now that I see Siffrin's core character as being driven by avoidance and survival. This seems to lead to a lot of apathy, brushing off emotions that are too intense or events and occurences that are too painful. (See: just absolutely everything with Bonnie)
It's all Siffrin really seems to be able to do to Survive. They've travelled, seemingly alone, for what would be around a decade by what the game says about the island's disappearance. They've lived alone on the road as a traveller in a country that so openly welcomes strangers that THE KING and his whole motives can happen. Siffrin is avoidant and refuses to acknowledge problems or strive for help and comfort.
So. That line about the dress. Let's unpack the line(s) about the dress.
THE DRESS LINE, AND THE WAY IT CHANGES BETWEEN PROLOGUE, ACT 2, AND ACT 3.
Tumblr media
Good god where to start with this. Full disclosure, the first draft here was way more vague in how I approached this line because I remembered it (and another line, I'll get to it.) way more tame, but going and getting the screenshots..... Siffrin. Buddy. We gotta unpack this.
In act 2, we have "You haven't worn a dress in forever!". This is a neutral, if seemingly a little joyous statement. All we really glean from this is the information that Siffrin at some point, wore 'a' dress. No real inferences there. (Maybe you could say that the singular as opposed to plural makes it more likely that they borrowed/only owned One Dress rather than owned several? But that's a massive stretch...)
Then, act 3/4 shuffles this off into a more general "You wonder if you'll ever wear different clothes again." Which is a more despairing and distant statement. Considering Siffrin seems to travel with only the items they can carry, and owns sleep clothes... It's unclear how many changes of clothing they have. The party seems to consider the cloak a pretty permanent fixture, anyhow. But this line doesn't really say much aside from 'oh god i'm losing myself to the time loop malaise'
NOW THE PROLOGUE. Prologue Sif, buddy, pal, Loop, if I'm allowed to call you that....
Thousands of loops in. We are wistful for specifically dresses. You've forgotten almost everything. You dream about someday seeing the sun again. To be anywhere but here. You want to wear a dress again.
I. Kind of do not know what to do here but point at it. Like I said, my first draft had me half-remembering the progression of this line and as such I was far more vague on what I thought it could imply. Instead this is just straight up yearning.
To, try and segue back to what I had initially written, we'll pick up here...
Siffrin expresses a want to wear other clothes, explore changing their body... But instead, they wear a ratty old form-covering cloak that keeps them warm and safe and is a last reminder of home. They are shapeless, formless, hiding their face under the brim of a wide hat. They do not voice their desire to wear a dress aloud. They once again, keep a desire to themselves, because they do not allow themselves to want publicly. Apathy is safer. Apathy and quiet means you do not risk retribution or hurt.
While I do not think the above is exclusively a transfeminine feeling, it really, really reads like one when taken part and parcel with assuming Siffrin has denied themselves prior exploration.
... And here I have to break my first draft again. I was being, once again, restrained in my reading when writing this. Because I had convinced myself I had maybe straight up imagined one of the lines I was basing my reads on, because I couldn't find it. Because it was a line that read so strikingly desolate to me that my brain had slotted it in during Act Five, meaning when I went looking for it neither me nor my friends could find it.
It's in acts 3 and 4. It's a line I already brought up.
Tumblr media
"You're thinking about crafting your body. You seem to have all the time in the world now."
good fucking christ. sorry to break the academic tone but Jimminy Fucking Willikers, Siffrin. What's with that bit. The resignation and despair and guilty comfort we know the timeloop brings them, bleeding into the gender.
This. *taps my finger harshly on my desk* THIS, this feels transfem. this feels so wildly transfem to me. The knowledge that they've never changed before this line lends. The admission that they've been holding back because it's 'too much work'. I spent a lot of time during the game relating Siffrin not to myself but to my friends.
If I'm honest, really, truly, I'm not all too often in Siffrin's shoes. I'm the stable one, of my group. I'm the rock people ground themselves on. And I see so much hesitance, all the time. Denial of joy because what if it's taken away, again? Or futilely out of reach? It hurts more to try, and to fail, than to never try at all.
I wanted to shake Siffrin by the shoulders this whole game. Grit teeth beg them to accept help because for fuck's sake people are clearly offering it get it through your skull--
*coughs* Ah. Ahem. Right. The uh, academic tone.
Right. What I mean to say is, this read as transfem to me because of the way it relates to real-world experiences of denial. And this combo of the Dress line, and the progression of the Meat Prison line, the constant evidence of never having strived for what they want, and that insistance that you're not a man, seem to dislike being percieved as a man, but not being able to shed the outward signifiers?
Individually, yes, these points can be read in different ways. The total opposite ways, even, I'm sure! But as a gestalt it feels really, really transfem. Even if yeah, sure Vaugarde is a magical setting where being transgender is accepted, and this hesitance, specifically, around gender, might not 'make sense' in 'the lore'...
Diegesis isn't everything. Sometimes something that reflects a real-world feeling is important, even if it doesn't 'mesh' with 'the lore' of the world.
TANGENT: DIEGESIS AND READING INTO NON-REAL-WORLD-SETTINGS.
This is a Watsonian vs Doylist spectre that's been haunting this whole argument. In-universe (Watsonian), Vaugarde has seemingly no discrimination between genders, sexualities, and a lackadaisical approach to most things in the arena. Reading our own patriarchal/heterosexual/amanonormative/perisexist society unto it does not make sense, not in this context.
In the real world, however (Doylist), ISAT is a text made in our prejudiced society. A text that is distinctly flavoured by those bigotries which it is kicking back against. Because of this, it is not the whole story to simply read the text while discarding our real-world-informed inferences. Isabeau is a big example of this. While perfectly accepted in Vaugarde, he is very obviously a revolutionary character in our real-world space! He has so much to say, specifically BECAUSE things about him that are not readily accepted here, are accepted there! Same with Mira's struggles, and yes, Siffrin's too.
ISAT was written with the knowledge of how it would play against our real world in mind, we know this, clearly, from many an interview. This is most present in how it engages with asexuality and aromanticism (and immigrant identity), but make no mistake, it influences the Whole Text.
Ergo, just because I view certain writing choices here in the context of Our Real World Perspectives On Gender and not Vaugarde's In-Universe Perspectives, it does not make them an invalid read. They are simply a Doylist read.
There's been an admittedly loosey-goosey lack of delineation here between things I'm reading with either lens, because for the most part all of these points have been a vague synthesis of both that I can't quite decouple. Unprofessional, I know, but I'll admit to not having written my thoughts down like this in a good long while. Usually I just hash this out verbally over discord voice to a small number of weirdo literature and classics student friends who are willing to humour me. I'm an arts student too, but animation hardly required I actually write an essay to a literature degree's standard. Lol.
DE-PERSONING. AND LOOP. OH JESUS . LOOP .
Siffrin de-persons themselves a lot. I say de-person rather than dehumanise because, well, there's a subtle difference there. Siffrin doesn't see themselves as vermin or an animal or an object, but they do seem to see themselves as lesser, not requiring the respect they grant others. They aren't, you know, a 'real person'.
People get to have things like thoughts and wants and identities. Siffrin is, at best, Just Siffrin. They have what they have and they don't ask for more and they don't (CAN'T) feel too strongly on what they do have!
When Loop at first offers their pronouns they offer the Royal 'We'. This is at least a little bit, a joke. A nudge toward their true identity, a potential dig at themselves for becoming so understanding of The King. Mostly though, a joke on the first thing…. and a sign that they do not see themselves as a separate entity to the Siffrin stood before them.
When Siffrin rejects this, they settle for they/them. Loop drops the he/him, presumably partially to cover their tracks, but… They just showed their hand with the 'Royal We', and if you wanted to go even further with this, there's no way for us to know whether Loop is treating this pronoun as singular or not. They presumably are, but it is still a potentially plural pronoun.
Loop… Clearly does not see themselves as a person. It's, I would say, a completely reasonable assumption that the form they have taken reflects implicit feelings toward themselves as less than a person, an actor, a monster, a tool, a means to an end. They are rendered inhuman by The Universe, frivolous distractions removed. No mouth, inventory and clothes confiscated, nothing between the legs. Formed roughly in the shape of a person to allow them to do their only job: Help.
Loop's body does not make logical sense, given their continued ability to sleep, dream and their continued habit of deep breaths to self-soothe. It would seem to me, it was made in the image it was, with only the tools it needed to Help Siffrin. Why obfuscate their identity? Because giving the game away too early would likely make them lose hope. Why so deeply, thoroughly star themed? An instant signal, that even if a stranger, they are an ally. They are home.
Tumblr media
[Image: Loop saying that they take naps and dream, and evidence of Loop habitually attempting to breathe in the twohats lose-to-loop ending]
And they… Degender themselves. No longer with any bodily signifiers of masculinity, and cruelly disallowed the ability to hide themselves beneath fabric, they are null. The spoiler Q&A (paratext, as it were) states that:
Q. Is Loop: 1. Actually comfortable with both he and they, but only gave the one pronoun to emphasize the distance? 2. Only using they/them because a large life event led to a shift in identity/ how they’d like to be perceived? or 3. time lops stole he from they they :( A. Mostly that first one. But all three of those reasons have a bit of truth to them.
While the 'mostly the first one' comment does imply that Loop would not baulk at being he/him'd (similar to how Siffrin does not), the other reasons, especially the second, having 'a bit of truth' does lend credence to this reading. That Loop's self-perception has shifted, and what I posit, is that this shift is in tandem with a disconnection with humanity. Due, presumably, to the dehumanising experience of the timeloop.
Loop has no biology to speak of, and yet they remain blind in one eye. I take this as an implication that they considered this so core to themselves, to who they could remember being, that it stayed. Even if they had forgotten their own face, trapped in a part of the house with no mirrors, they knew they couldn't see. They kept this, and yet seemingly they, or The Universe, or both of them in tandem, discarded all else.
This isn't like…. Healthy behaviour. That is for certain. But it is interesting that Siffrin and Loop seem to hold on to their masculinity by a thread, and that Loop, when actually given the excuse to make a choice, chooses the Neutral Option. Siffrin might de-person themselves, but Loop, Loop is absolutely dehumanising themselves. From Loop's own mouth (or lack thereof) do they call themselves a Corpse. That's… pretty damn bad.
TANGENT 2: POTENTIAL IMPLICATIONS OF THE JAPANESE TRANSLATION.
Did somebody say 'distance'? Yeah turns out that has some more potential evidence. In the form of First Person Pronouns. See, English, with its third person only pronouns relies on others to gender you. Japanese, you get to gender yourself. And Siffrin specifically has an interesting discrepancy in the way he refers to himself.
(DISCLAIMER: I . DO NOT KNOW MUCH ABOUT JAPANESE. THIS IS SECOND-HAND KNOWLEDGE. SOURCED FROM THIS TUMBLR POST AND OTHER QUICK SKIMS OF WIKIPEDIA)
Loop and Siffrin use the same, very neutral "mostly male but could go either way" pronoun of 僕 boku. Safe, soft friendly pronoun. Used by people on the younger side of adulthood, not so impolite that you can't use it in a formal setting. Such a neutral all-rounder that female singers in japan tend to use boku in their songs to relate to the audience with quiet confidence.
And in their internal monologue? Siffrin uses a completely different pronoun. In his head, for himself, he uses 自分 jibun. Now, this may be an artefact of the monologue's english second-person "You", since jibun can also be used to mean a very neutral "self". A "myself/herself/himself" type 'self'. But when used as a first person pronoun, it has a connotation of being… distant, introspective. Which is… a fascinating implication, if that was the intent.
But I don't know anything about japanese so ! If I'm off the mark, discard this!
LOOP, PART 2: MAYBE NOT A GREAT STATE TO BE IN.
While Siffrin I can comfortably argue that they can like, keep their current gender presentation, whatever you may perceive it to be, once the game is over, Loop, I cannot.
Siffrin's potential issues with their identity are ones that honestly feel like they would best be explored with gentle refinement and searching. They don't need to violently seperate themselves from what they are now, far from it, in fact. They need to learn to grow comfortable in their own skin, and with the people they love. To become open and trusting, with an open mind to where it may lead.
Loop has already lost this battle. They don't get to refine anymore, just pick up the pieces. While I don't necessarily think radical change is Good for Loop, I think they may Need It. For them, resting will probably become stagnation (see: napping all day under the tree, resigned, really, to the idea they're stuck there forever.), they need a shake-up in order to re-find their feet. Even if they end up right back where they started, they still need to do the actual painful process of soul-searching first.
Problem is, they're still rather avoidant. So it basically becomes a question of getting them into a situation where this exploration is forced upon them. At which point, that's a whole new plotline. This becomes fanfiction. Hence, why while I think Transfem-Egg Loop is a Valid Read when extrapolated from Siffrin… I must concede any actual adventures into them acting upon that as headcanon territory. I just do not know how you would get them there without making a whole new Thing, at which point it stops being Just A Read of the text haha. It doesn't help that Loop and Siffrin (grudgekeepers supreme) both have reason to spite the Change God after who was phone.
As for whether this egg-read reflects directly back on to Siffrin? Maybe! They are the same person. But I think that, especially with Vaugarde's lax views, and their actual differences (Loop's general worse mania // Siffrin's incentive to stay a reminder to themselves and Loop of their country) means they could easily go two different routes, along the road to becoming their own distinct individuals. (And in all honesty, growing into their differences is probably the more healthy option in the long run if you're keeping Loop around? But again, we are going so far into the future here this is no longer a read. And I am not here to dispense baseless headcanons without massive disclaimer, so…)
Tl;Dr:
Siffrin's Survival-Apathy and hesitance to change feels really thematic to their being 'what's left' of their homeland
They seem unsettled by the flippancy of the Change Religion at times, clinging to the familiar to cope with the trauma of displacement.
Mal du pays speaks of them that they have not 'tried' to change, showing an insecurity there, even outside of the literal stagnance of the loops.
They are self assured to Mira that one does not have to change, in a very genuinely personal impulsive statement.
They and others exclude themselves from being "A Man", but Siffrin keeps desires to explore their expression to themselves.
The Universe belief, seemingly in Siffrin's view of it, disincentivises Free Will and Wants very heavily. It is not hard to assume they extend this to all elements of their life.
They have self-admittedly never pursued tangible change, likely due to this aversion to choice. Despite this, they express interest in changing, seeming nonplussed with their body, and house at least some desire for more traditionally feminine expression.
Oh Good God. Loop Sure Does Not Treat Themselves Like A Person. Why Does That Come With A Pronoun Change? What Does That Mean?
But most of all:
It makes them such a fascinating foil and lens to Change and characters who believe in it! It makes them eerily similar to The King! It opens up such fascinating debate between characters like themselves and Mirabelle, Isabeau and Loop, on whether or not they want to change in future, or if it truly is okay to never radically change yourself! What genuinely fertile ground for dialogues. And man if I'm not heavily drawn towards dialogues.
(End of essay! Congratulations for making it the whole way! 🎉 I hope this nightmarish deep dive helps with understanding some of the ways I've been writing Siffrin and Loop too. Since while I've not ever focused on the gender side of it (and probably won't in comic form) this does pervade my view of the two, since it would be impossible for it to Not. As you can see, I do think it is pretty relevant to both their themes.)
Tumblr media
(Now for some bonus material)
ADDENDUMS:
PERSONAL BIAS NOTE:
Not included in this analysis since this is more a Pet Theme of my own (usually kept quarantined to the realms of my OCs), but something else I see in Siffrin is a reflection of the Dude Issue(tm) of patriarchal irl society disincentivisng Dudes(tm) from ever fucking introspecting ever.
I'm curious about nonbinary/trans characters who have no idea they’re nonbinary/trans because they’ve been disincentivised from thinking/doubting their identity due to societal power structures or simply tradition. I dig around the themes of “a lot of guys are trapped in a societal prison without ever knowing and it makes them miserable but they can’t escape because they don’t even see the cage” like, a lot, in my personal work. It intrigues me. So bleh, cards on the table there. That mode of interacting with nb/trans characters is one I'm inclined to.
This kinda goes hand in hand with the watsonian vs doylist situation i took an aside to mention. But it is so far along the doylist side that I didn't want to include it, since it is a little too assumptive of the text for my comfort. I don't think the game necessarily has much commentary on this specific Societal Bind. But if it does, then hey, there's my thoughts on it.
STRAY SIDE NOTES AND HEADCANONS ABOUT OTHER CHARACTERS (AS A TREAT FOR GETTING THIS FAR):
MID-GAME OBSERVATION ABOUT BONNIE AND ODILE THAT I NEVER WENT BACK TO VERIFY:
I got the impression that Bonnie heavily favours they/them pronouns for Siffrin, and Odile he/him, as a bit of presumed character voice. I don't know that I am right, literally at all, in that observation, because it very well could've been confirmation bias.
BUT! It did give me the impression that one of the things Bonnie was idolising about Siffrin was a degree of "wow!! older person with my gender!! wow!!", which is just like, cute. I like it even if I don't have any solid evidence.
ODILE, WHAT'S HER DEAL?:
Oh she stays just as mysterious as she intends to be, huh? Even with her comments in the Changing Room alluding to knowing things about underground changing operations, you can't draw much of a conclusion about her. I appreciate verily that she's word-of-god unlabelled and also poly. That shit's great. Woman who has stopped drawing lines or caring what she's up against. Nice characterisation flavour I think.
Anyway, I do think that transfem Odile is a really, really nice take. I have no evidence in either direction for her in either direction, and her being a woman of any description makes her relationship with her absent mother something interesting to chew on, but the idea that she pursued womanhood intentionally lends an interesting texture. I've not much to say, but it's a thread to pull on. Makes you wonder what other female role models she had in her life instead. Anyway she's mysterious as fuck I can't extrapolate Jack nor Squat. Shrug! I'm also made curious by the idea of her potentially moving away from womanhood as she feels the weight of her history lifted. This goes either way, really. Diagnosis: mysterious.
HEADCANON NOTE: INTERSEX SIFFRIN
I don't have any in-text support for this so this entire thing is an unbased headcanon to me. but i DO like it because 1. fun and 2. potential for more thematic exploration
haha gotcha its fuckin themes again. its always themes with me.
But yeah. Not much to say here besides drawing a parallel (that I believe I've seen drawn elsewhere in the fandom already?) between ISAT's comments on how a society that values change would view Aroace identities, and how Mira feels about not wanting to change with the real world experiences of Intersex people having alteration and conformity forced upon them, saying the Change Belief would likely be just as bad for them as it is for aroace people.
So, adding it to Siffrin's situation further drags them into the opposition-to-change foil role. Which like I said, think has a lot to explore.
HEADCANON NOTE: A POTENTIAL METHOD FOR GETTING LOOP OUT OF THEIR GOD DAMNED COMFORT ZONE
I think utilising Loop's contrarianism is an effective and funny way to get them to explore their gender. I personally think running with them trying to hide their identity from the party is a hilarious way to do it. Having them try to position themselves in direct opposition to Siffrin to "throw the party off their trail" (not that i think they really need to?), going full feminine-revealing-clothing because it's NOT what a Siffrin would do and accidentally growing accustomed to it. Funny to me. Especially when the party eventually do find out who they are and go . "????? what was the girl stuff about ??? is that something you wanna do now ???".
[Isabeau] "Ohhhh it was a bit! Haha you really are Sif, still a jokester!" [Loop] "HAHA YEAH . JOKES. LOVE THOSE. LOVE TO MAKE JOKES!" [Isabeau] "Yep! Anyway. Tell me if you need anything!"
Bonus bonus:
[Siffrin] "Okay, so, if you're a girl. Does this reflect on like… me?" [Loop] "No doubles. Get your own gender, parasite~!"
338 notes · View notes
Text
NEIL FUCKING GAIMAN I AM IN YOUR GODDAMN WALLS
2K notes · View notes
briankang · 4 months ago
Text
Tumblr media Tumblr media Tumblr media
A Day in the Life of Bang Chan 💫
Happy 27th Birthday, Chan! 💕 Thank you for always being the most shining star in the galaxy ✨
templates: blog/insta template | photobooth template | music player template
204 notes · View notes
raeofgayshine · 2 years ago
Text
Thinking again about the fact that when Eddie and Dustin finally convince Steve to play DnD with the party, all of them, but especially Eddie, quickly become exasperated with Steve who has extremely high charisma, and decides that he can fix almost any situation by flirting with whoever they were in conflict with. Especially the fucking monsters, this man is bound and determined to himself a monster boyfriend and until it happens, he will make every single person they come across fall in love with him. So naturally, this happens a lot:
Steve: I’m going to flirt with them
Eddie, exasperated: Steve, you can’t date this monster, he’s trying to kill you-
Steve: Hot.
Steve: I’ll flirt with them harder then
2K notes · View notes
erosyrup · 9 months ago
Text
Tumblr media
J/B/M
—I am wild over her.
Reference pic below, though I'm sure all the gay ppl on this site has seen it before:
Tumblr media
319 notes · View notes
diazmaximoff · 7 months ago
Text
Daniel's power isn't less interesting than Max's
I think telekinesis is a really fitting story element for Life is Strange 2 because, unlike Max, who’s a young adult with a somewhat clear sense of self and purpose with her own powers, Daniel is still a child figuring out what he wants to do and what he’s capable of. His power is so simple yet unpredictable in nature, so the uncertainty of his future stands out even more to the player, prompting them to guide Daniel and help him find his place in the world with his newfound abilities. Let me elaborate.
Tumblr media
Just like a child can master a range of skills—from learning new languages to playing musical instruments, or excelling in any possible sport—Daniel’s power is ridiculously versatile and it allows him to handle various tasks and challenges in countless ways: he can attack, defend, build, destroy, bend, steer, fly things around, exert control over someone's body, manipulate his environment and even perform intricate tasks like crafting or repairing. It's a power that can adapt to many situations, much like how children can grow into any role or talent they pursue. Children are born to be jacks of all trades.
In the first game, Max’s powers symbolized her struggles with insecurity and the desire to rectify past mistakes. She wanted to correct her every error, ultimately realizing that she can't and she just has to accept them like a responsible adult. In the second game, the power is a representation of a child's untapped potential and reflects the boundless possibilities of a child’s development, showing that with the right guidance, Daniel’s potential is as vast and adaptable as his power, allowing him to become anything he sets his mind to.
I really loved the part in episode 5 where Daniel used his power to build statues with Joan in Away. It's such a bittersweet moment that showcased his creativity and potential before the chaos that was about to unfold. It got me thinking that Daniel might even dream of becoming a constructor in the future. But ultimately, his path is his to forge and he has the freedom to shape his destiny however he chooses.
146 notes · View notes
protect-namine · 10 days ago
Text
yingdu episode 5 spoilers
ohhh my god this is everything I want from cheng xiaoshi. yes. perfect. sorry, but I'm a cheng xiaoshi whump liker and link click always brings out the best of them in episode 5 of each season.
there's just something cathartic about how when cheng xiaoshi becomes an emotional mess, it's also when he's most disconnected with the people he knows (physically, as he's diving in a photo and his only link to his home timeframe is a disembodied lu guang in his head) but it's also when he's most connected with strangers (when their own personal trauma lines up with his). to me, it's a showcase of empathy and a strange manifestation of his own agency. something about how the disconnect gives him the space to blow up, and the connection heightens it and grants him permission, almost, to express his anger more freely for his own sake and for another person's behalf.
like. listen, okay, I'm gonna ramble now because cheng xiaoshi is my favorite character in this entire show, but listen. sometimes some fans will conflate adjectives to his character that are usually associated with his character archetype, but they aren't necessarily true about him as a character. and I don't mean it in a, "he's not like that because he grows out of those traits" kind of way. I mean it in a, "he was never like that" kind of way.
one of those adjectives, for me, is when people call him immature. he isn't! to me! imo! he's got big emotions, yes, but I personally don't think the presence of big emotions indicates anything about maturity. because you know what? as long as his primary trauma (feelings of abandonment) isn't touched, he is very good at handling interpersonal conflicts, and that's what's interesting to me.
qiao ling hides relevant information from him? he removes himself from the situation to give himself space and sort out his feelings. he tells her he's fine and that he'll be back.
post-earthquake arc? I'll just copy paste what I already said in a previous ask:
what initially got me was when I was first watching S1, I thought the earthquake arc would have devastating effects on [shiguang's] relationship. listen, I didn’t know what I was getting into with link click, but I thought that was expected. it’s ripe for drama! but how do they handle the fight? they put their side business on hold but they still keep being roommates. they still do their day job. they still talk. they’re still upset but they give each other space but not to the point where they can’t stand existing in each other’s spaces. that’s when I realized that oh, they really trust each other. they have a very solid foundation for their relationship that not even the earthquake arc can break. they’re pretty level-headed about this, actually, all things considered? all the doomed yaoi stuff came later, but that’s just the cherry on top. it’s the way they handled conflict and disappointment in S1 that got me.
okay, protect-namine, why go through that whole tangent? BECAUSE! circling back to yingdu episode 5, we finally, finally get to see cheng xiaoshi let out some of his anger. and it's precisely because his primary trauma point was on the table. he can forgive a friend lying, and he can forgive being told not to change the past. because at the end of the day, qiao ling and lu guang stayed. they never left him.
but he cannot handle abandonment. he cannot understand why people leave. he cannot understand why he's been clinging on to false hope this entire time. and more importantly, he cannot understand how someone can be such a hypocrite about it. "a man who'd rather be kind to strangers than face his own son" like fuck man. cheng weimin you fucked up so bad.
it's the disconnect/connect thing again too. thematically, it makes sense. when does cheng xiaoshi blow up? when he's alone, far away from the people that ground him. alone, the feeling he hates the most. he's not even in his own body. he blows up when he's inhabiting a stranger's. he doesn't even get to be angry as cheng xiaoshi.
how fucked up is that. man. I love him so much.
also I'm going crazyyyy over the family themes going on in link click. much to say about the show itself across all seasons (the twins, qiao ling and cheng xiaoshi, even the liu siblings), but for this episode... god. okay this is slight speculation territory now and I'll try to keep this very short, because this is only tangential to the post. but. imagine xia fei getting the good parent figure in cheng weimin that cheng xiaoshi never had. and he doesn't know!! he's bitter inside about his dad and he's having hotpot with xia fei and he doesn't know he was in that school!! fuck that's so good. that's so juicy.
Tumblr media
okay, sorry, I have a lot of feelings about cheng xiaoshi. he's my link click blorbo of all time, and I love when he experiences The Horrors™ because it's also when other sides of him gets to shine.
on a brighter note:
VEIN AND CHENG XIAOSHI MEETING AGAIN!!! their greeting was so cute. also omg does xia fei know? that his boss is maybe possibly a cannibal? actually, wait, I don't think I'd be surprised if he does know.
ah and finally. finally:
I've been having many thoughts on how yingdu approaches "friendships" and their transactional nature (mostly with regards to liu xiao) but I mostly thought they're headcanon stuff. but now. I'm so so happy that episode 5 is bringing out more of the quid pro quo theme. liu xiao with the gift giving. wang qing's "friends" (bullies) demanding her to cheat on the exam for them. and now, vein and cheng xiaoshi having a friendly greeting but also exchanging favors. so good. so good. it goes along with how there's so much handshakes and handholding this season (not just with lu guang and cheng xiaoshi, but with cheng xiaoshi and the the antagonist trio too, who have all met him by "helping" him in some way). something something trust and favors. probably something that deserves its own post though, but I wanted to point this out because I am soooo here for that. it's goes hand in hand (ha!) with the whole fraud/lies vs innocence/honesty theme this season, and deals/contracts being an equalizer to the two. very good. very tasty.
edit: ooh they also point to this in the YE6 trailer too. nice, nice. if you knew someone's true colors, would you still be their friend?
man, I love episode 5. it just hits all the stuff I personally wanted to see. the only flaw is that we still haven't seen the older version of wang qing, but yeah I kinda expected that they'll hide her until episode 6. they're giving her the liu xiao treatment from season 2. sigh. really wish she'd keep showing up in S3, we need more female characters in this show 🙏
55 notes · View notes
fresanita · 2 months ago
Text
Angel Dust Turns Human pt5
"Alastor & Angels Background 2!"
Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media Tumblr media
Pt1
Pt2
Pt3
Pt4
IM SO SORRRYYY!!!🧎 omg, my classes were absolutely becoming my lifestyle for a moment! It's not even bad. It's just REALLY time-consuming💔🙏 Istg u can tell it took a few months bc of the artsyle change midway; there were so many mistakes but idec anymore☹️ pic 3 is not "buy my time" it's meant to be "BUT my time"!! Also idky I basically drew Alastor w tit pecks on pic5, but I'm not fixing that😣‼️ there are other mistakes but SHHH!!
This part was meant to have more images, but there's a 30 pic max on here, so it's gonna be split in half☹️👍. I tweaked so hard drawing these bc I tried to do this on a bigger canvas for better quality, and the amount of glitches on my tiny ass laptop was insane😒...it deadass deleted a whole layer w several panels that was the ending which I spent the whole day on, but it's okay cuz I redrew it🙂 (FUCK MY LAPTOP FUCK STORAGE AND FUCK THAT I CRIED THAT NIGHT AND DIDNT WANT TO STARE AT THAT SHIT FOR 2 DAYS!!!)
Anyways YAY!!!😁😁🙏 I'm so glad to finally be able to draw moments where alastor and angel are getting a bit closer! I know Alastors interest or consistency w accompanying Angel seems ooc and THATS BC IT IS💔‼️ Self indulgence w a hint of desperate explanations.
Antoní as a kid, finally opens up about home life (not rlly🤫) and Alastor offers a branch to hold onto, furthering Antonio's trust🫶. Antoní is PLATONICALLY blushing bc he's a bit embarrassed thinking, 'Wow, sir is so cool and nice, now he wants to hang out w ME?' He's flattered at nothing☹️ (FATHER ALASTOR FATHER ALASTOR FATHER ALADTOR)
Tag list: @diffidentphantom
130 notes · View notes
choccy-milky · 10 months ago
Text
Tumblr media
oh boy anon, you’ve activated my trap card. GET READY FOR A SEBASTIAN CHARACTER ANALYSIS ESSAY BELOW LMAO
ok so first off I know im obvs biased, but I don’t actually think my seb is that ooc, AND PUT DOWN YOUR PITCHFORKS IMMA EXPLAIN WHY. but im also gonna explain why I don’t think the other more friendly and lighthearted renditions of seb are ooc either. bc theres so many aspects of seb we get in the game that can be interpreted in so many diff ways, and so this is how i see it/landed on MY rendition of seb:
PROTECTIVENESS/POSSESSIVENESS: this is one of the main aspects of him, imo. his entire questline is about wanting to cure anne, and how he’s not giving up, and how he believes that HE is the only one that can do it, because “she’s MY sister!” seb is super tunnel visioned and has a one-track mind when it comes to this, and I headcanon that he’s this way because of their parents deaths. he’s the brother, the boy, he’s gotta be strong for his sister, and ofc when their parents died, he tries to comfort her and be there for her/be the rock, and it happens again when she’s sick. shes his sister, his responsibility, and he’ll die before he gives up on her and her safety.
SO, I just transfer all those aspects over to a romantic relationship instead. you just replace “shes my sister” with simply, “she’s mine/my gf/my wife/etc.” and in the same way I think seb tries to be strong and reliable and protect anne because he’s the brother, I think seb would be the same way in a relationship, because he’s a boy and she’s a girl and its 1890 and he’s chivalrous and he just sees it as his responsibility. I think the death of his parents and his dynamic with anne has baked this sort of mindset into him, and its even MORE intense in a romantic aspect, because then hormones and puberty and sexual tension and attraction is involved (plus the fact that seb in my fic is 17, so he’s older and has even stronger raging hormones and testosterone LOL.
JEALOUSY: who can forget the lines “between the two of you, I’m starting to feel left out” and “ominis simply needs a moment with you and he’ll change his mind. is that it?” the first one is more playful but I feel like the second one really showcases sebs brand of jealousy, and how biting and uncharitable it can be.
AGGRESSION/VIOLENCE: yet another iconic line with: “fine. but ominis knows, I won’t step back from a fight.” LIKE... the fact that apparently ominis knows this means its come up more than once…and im not saying seb is some unruly aggressor who flies off the handle at anything, but he defs has a capacity and is willing to get violent if HE believes the situation calls for it—basically the same way he feels about the dark arts. he felt justified using imperio to protect anne, and taking the relic to save anne, and so he would have fought ominis to get out of the catacomb. and with MY seb, while he doesn’t go picking fights with any boy who looks or gets close to clora, he’ll definitely be willing to beat up or lay hands on a creep who bothers clora/who is in the process of bothering her LOL.
SO YEAH, that’s pretty much it, and I’ll be the first to admit I definitely ramp up these traits further because he’s older in my fic and i think these traits would only get more intensified with age + being in love and also bc IM A TWILIGHT GIRLIE!!! what can I say. there are so many moments in my fic where you can just replace seb with edward and it wouldn’t seem out of place tbh LMAOO so blame twilight, it was a formative experience for me BAHAHA
BUT like I ALSO said, I don’t think peoples more lighthearted interpretations of seb are ooc either. because even all my earlier above examples, you can just focus on diff aspects of them. like his tunnel vision and obsession to cure anne? instead of seeing it as over the top protective and possessive, you can just view it in a more wholesome determined selfless sort of way. like I said we got so many nice little bits and ingredients of his personality that we can turn into anything we want, really👌just pick which flavour of seb u like best and use what we got in game to create it HAHA
Tumblr media
AW TYY QUEEN BAHAHA💖 and aw im always so honoured when ppl tell me they consider my stuff canon that’s like the best compliment I can get, tysm 😭 and im glad you like my fic and art so much (enough for your friends and family to unfortunately know💀 LMAOO)
im adding your ask to this because it kinda ties into my seb essay. LETS GET INTO WHY A SWEET BABY ANGEL WOULD LIKE SOMEONE LIKE SEB. the answer ISSS: the same reason WE’RE also all into him I guess?? BAHHA
ok but to start off im gonna defend my seb, not only cause of what you said anon (i dont want you to feel like this is targeted to you!) but also bc I got an ask recently asking me to summarize seb and clora’s relationship since all they see from my art is that “they fuck and seb is possessive” LMAO, and I feel like ppl who JUST see my art and don’t read my fic have a warped image of my seb.
this may be shocking but I don’t consider my seb a red flag LMAO. I joke about how hes more of a pink flag tbh, but even THAT i dont even really believe, and don’t even consider him overly possessive. like yes he keeps an eye on her when shes hanging around other boys, but I feel like that’s normal (esp for 1890) and all of his most possessive moments have been when theres been a threat to cloras life/coming from a place of love and protection (especially since clora is so self-sacrificial, she’d have killed herself by now if not for seb LOL) so to me id actually put Sebastian as being PROTECTIVE as his first and foremost trait, followed by the possessiveness.
and yeah he gets jealous, but unless a dude is actively trying to get with her/hitting on her/harassing her, he’ll otherwise just kinda be unhappy about it/let it play out/ watch on unhappily LOL. and even when lawley was blackmailing clora and getting in between her and sebs relationship and lying about how close he and clora were, seb demanded answers from CLORA on what was happening between the two of them, but he didn’t touch lawley or tell him to stay away. bc seb thought that was what clora wanted, so he let her drift away. if he was TRULY a red flag, in this instance he would have just beat up lawley for taking what was "his"/not allow clora to leave him/immediately go to lawley instead of clora, and tell him to stay away despite what clora might want. (and clora even WISHED seb had interfered and done this. she was like 'why is he letting me drift away and go off with lawley i WANT him to fight for me...but she couldn't actually say anything thanks to the blackmail)
clora doesn’t just 'put up' with sebs more possessive and protective behaviour though, she actually likes it HAHA. just bc shes a precious baby angel, we all like a bad boy, even back then. just look at jane eyre, and how popular the dark and brooding and assholey mr. rochester was.
she tells seb at one point that she likes those things about him, even his immature competitive side, and his darker sides, and that he shouldn’t try to hide them or change himself because she accepts them. and even putting aside all of the stuff they’ve been through together that has bonded them (like the main canon quests + annes curse and then CLORA being cursed, and then clora being kidnapped and seb saving her) clora thought seb was roguish and charming and witty and intelligent and good looking from day 1. add to the fact that he’s just so devoted to her in everything he does, that even if he CAN get a bit overbearing at times, how could you NOT fall for someone like that😩 someone whose possessive behavior just stems from wanting to protect you and love you and want to keep you safe and cherish you like DAMN…. GET ME A SEB, TOO. WHERES MINE!!!😭😭
clora also realizes in ch 32 WHY seb is so protective of her (the trauma with his parents and wanting to be there for anne) and that she accepts it, and enjoys it, and that she might even MISS it if seb were to ever get less protective of her/might get lonely LOL, and then sebs like "i’ve "spoiled you, have i?"
so YEAH I don’t think sebs protectiveness and possessiveness goes into any toxic territory or red flag territory PERSONALLY (and the time that it DID get toxic was because of the relic, and clora DID put her foot down)
but my normal seb? whose dream in life is to whisk clora away into a tower and lock her up to keep her safe and keep her all to himself, but that he’d never ACTUALLY do because he knows its insane and unreasonable but jokes about wanting to do it anyway bc he would if clora agreed? clora finds that endearing and cute and is touched by how much he loves her and wants to keep her safe.
IN CLOSING: I LOVE THEM YOUR HONOUR AND THEY LOVE EACH OTHER👩‍❤️‍💋‍👨👩‍❤️‍💋‍👨👩‍❤️‍💋‍👨
169 notes · View notes
thejilyship · 3 months ago
Text
I walked into work this morning after crying at a convivence store because the woman behind the counter said she liked my RBG sweatshirt and she hoped I was okay. I wasn't expecting it. I live in a very red part of Michigan and her kindness and gentleness made me cry.
I told myself when I woke up that I wasn't going to cry. I stared at my phone for twenty minutes, dread pooling in my chest because even though I let myself get hopeful yesterday, I knew what I was going to see.
I said I wasn't going to cry.
And when I got to work, one of the other preschool teachers walked into my classroom, and she didn't say anything, we just looked at each other and I started to cry. I had parents who I knew were happy with the results about to drop off their kids and I couldn't start crying, but I did.
I only have nine kids in my class, I only had to get through seven drop offs today. I only had three parents that were devastated. I cried about that too.
I had two little girls in my class today, and they got into an argument, as two years old's will do, and they both got upset and started crying. One of them laid on the floor next to me, and one of them collapsed onto my chest, and I cried with them too.
During group time today, I cried while reading a book about kindness. "What does it mean to be kind? Being kind means standing up for those who are less fortunate than you." I had to stop reading for a minute. My assistant teacher looked at me from across the room and I couldn't meet her eyes.
I stayed off social media all day, but when I caved and opened tik tok, the first video I saw was of women in other countries governments saying that they were standing with us through this hard thing and I cried again.
I think I'm gonna keep crying. At least for today and the next couple of days.
And tomorrow (which may not actually be tomorrow) I'll figure out what comes next.
64 notes · View notes
i-like-forcefem · 3 months ago
Note
Hey so uh I wanted to ask about that candy bar you gave me at the Halloween party last night, I ate it before bed (it tasted really good) but when I woke up I started to notice some things. My voice sounds kinda softer and higher pitched than before, my body feels tingly and kinda soft, my hair looks a lot longer and fuller than I remember it being, and every time I look in the mirror I think I look thinner than before...my clothes feel uncomfortable...people have been saying I look and sound cute and every time they compliment me I start blushing...n-not that I'm in any pain, don't worry, it's just...uh...w-where did you get that candy bar from again?
Awwww, well cutie the bars are ones I make by with plenty of love, specially for Halloween and a secret recipe I can’t just share with anyone
But since you seem to enjoy them so much let’s make a little deal!
I’ll let you Trick or Treat everyday! Just come here with a new fun outfit everyday and you’ll never run out of candy bars!
That said the bars work the best if you eat them everyday (and they can have quite some withdrawal symptoms) and I only have you the first bar because your costume was so so adorable and cute and feminine, and just so you know you’ve set the standard now cutie!
If you want more candy bars you better come back in an even cuter outfit, and also make sure to walk here in broad daylight where everyone can see! No cars allowed, most of the fun from Halloween is that anyone can see your costume, so you do need the show off phase
Got it cutie? Good Girl! Now take one more bar as a free-bee and I expect you here in much more appropriate clothing tomorrow, if you want another bar of course
58 notes · View notes